I ate some food
Then shot some photos.
I'm proud of the photo.
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Nice, how did you get the neon glow to come out like that in the photo? Has that 90's advertising kinda sheen to it against the car.
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I'm not this guy, but photographing neon against a dark background is very difficult. What I do is I typically make 2 exposures, one for the neon sign, and another for the environment, and then combine them. To get them both in the same image would be difficult, more so for digital, which is what this is. Longer exposures with film can do it as well, but that's a whole other neurodivergent lecture. Attached is using the technique described
. You can still see that some of the white is yet still over exposed. It's a tricky condition to shoot in but when done well, looks quite nice. I mean, you're basically photographing a lightbulb.
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Neat! Yeah, I was curious because shooting one with a phone always comes out like this:
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You're getting that as a combination of a dirty lens, and possible moisture between the lens element and the sensor. Your phone also has a much smaller sensor that is less able to sense light in darker conditions, which means it needs to push itself harder, which in turn, creates noise. The haze is definitely not the conditions you're shooting in though, tho, carry a chamois and wipe it before taking a shot, even if you think it's clean.
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For sure, that was just a quick shot I was going to text to some buddies. I have a couple of others with longer processing that I don't want to dox my friends with, but the same effect happens of having everything in the foreground be SUPER dark and not have a good reflective glow off of.
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regarding that, its because your camera is lowering its exposure to not blow out the neon light, thus losing all subtlety of light where the meat of the image is. The brightest point and darkest point of the image need to fit into whatever range your particular camera has. If you aim at the neon, which is brighter than you think, it has no room for anything else. The opposite would make everyone in the image look fine, but the sign would be a blown out mess.
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So you're saying the way to beat that with a shittier camera is to take multiple exposures and combine them?
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You could, but if you're that involved, I'd recommend an slr, even if a cheap one.
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Exposure bracketing should help but look at the lighting in the top photo.
Not only the main subject is a white car, it's also lit by a bright neon, there's a bright storefront next to it and judging by all the light reflections in the side panels, streetlights from other side of the street help a little too.
You, OTOH, are taking picture of a darker neon in a room that's only lit by that neon, with bunch of light from it getting blocked by the wall, only the "doorway" letting light in.
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I used to shoot multiple exposures but the Canon R5 has such good dynamic range, and current Lightroom has such great processing, that I don't find it necessary.
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R5 is decent for that, yeah, but neon is a fringe case. I have to use this technique even with the fuji gfx for something like that. Especially because it's so easy to blow out color with neon/digital. I wish Leica sensors were as good as leica lenses lol
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I can barely see the woman in this picture but I think I
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she was fun. became lifelong friends on that trip
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He would
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Exposing for highlights, polarizer filter, some tweaking in Lightroom.
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