!kino we love to bash recent Hollywood slop. But what are the critically acclaimed films and directors you can't stand because of how up in their asses they are?

How would you rank IMDb’s top 10 movies of all time? pic.twitter.com/Mxeu4YybIO

— cinesthetic. (@TheCinesthetic) June 10, 2024

Yikes imagine not trusting the kino science:

Do you concur?:

!kino

!kino !anime

New gem from /tv/ .

!kino

!marks may remember Nathan from a brief stint in WWE

Who has had the biggest decline in their work from getting old and fat?

Marlon Brando

Elvis Presley

Orson Welles

!kino !anime

Me on the left.

Will you be my Shrek?

George Miller has been living in that Wasteland, off and on, since 1979. With this series, he has pushed the boundaries of what an action film, what a sci-fi film, what a film, period, can be. With Furiosa, he has redefined what a Mad Max film can be. I hope he never stops making them.

Such a fun genre. Movies like Body Heat, Body Double, Sea of Love, The Last Seduction, etc.

It's interesting how they're basically just film noirs with a bit more emphasis on s*x and much less censorship.

As if life isn't stressful enough. Now all your escapism must be embedded with the existential fear that the world is going to burn.

Clint Eastwood directed a “true story” movie starring noted dog abortionist Tom Hanks based on the guy who landed a plane in the Hudson River when it hit some birds (not that impressive imo).

Unfortunately the crash landing itself lasted like two minutes real time and everything before that was a normal flight, so how do you stretch that to 90 mins??

Eastwood wholesale invents a whole plot after the crash about a government agency investigating the crash and pretends the pilot played by Hanks is at risk of being blamed for it. It's the only stakes at play because we all know the plane will land safely and at that point in the movie it already had.

I mean there was a real inquest into the crash but the pilot was never at any time going to be blamed for the crash, he was already a hero. It was basically just a formality.

Eastwood also casts the lady who played the Breaking Bad wife to play the main government instigator who tries to blame Hanks and is pure fiction. Character is basically rage bait to make wingcucks screech about how you can't even be a hero anymore without big government sucking the c*m from your balls in a bad way

This is the second in my series of 150 posts about Eastwood being an awful director