Pretentious films discussion :marseyprojection: :soyjakyell:

!kino we love to bash recent Hollywood slop. But what are the critically acclaimed films and directors you can't stand because of how up in their asses they are?

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https://i.rdrama.net/images/17180332086264415.webp

This shit was nothing but hollywood jerking themselves off about how great they are for the entire movie

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any movie about movies is like crack to hollywood losers

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I fricking hate movies about movies. :pepepunching: Everyone in hollywood is subhuman scum.

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:marseyshrug: i liked it

great soundtrack too

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If it doesn't start with Harvey, I'm not interested

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:drummer:

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I liked it!

:marseytoasty:

Following around the spergy MC was entertaining.

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Kill cute twinks that like this movie. People are so up their own butt about how challenging and intellectual the movie is and how โ€œhardโ€ sci fi it is. When you have a budget of 20 dollars, the only thing you can do is make an obviously overly convoluted plot. I understand that this movie is the anti-black panther and transformers Jew slop, but goddarn it movies need a LITTLE style https://i.rdrama.net/images/17180368408163464.webp

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:marseyshrug: I liked it. the "overly convoluted plot" ends up mostly making sense, unlike typical convoluted plots where the writers can't figure out how to tied it all together at the end.

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Primer was great too. :marseyshrug:

Sure are a lot of dramatards in this thread. :marseysmug2:

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The intelligence of your average dramatard shows that they can't appreciate good writing or good stories

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Not sure if it is even that pretentious but Crash is unironically the worst movie ever made.

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I appreciate Crash more now that it causes such extreme amounts of reddit :marseysneed:

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didn't like that one, but Amores Perros was good.

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Execute any filmoid that wears a beret in public. It's the hwood version of this dc nonsense:

https://i.rdrama.net/images/17180318030282202.webp

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The dog fricker told me to watch Synecdoche, New York and my life changed.

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Lol one of my favorites, lots of great details like the film starting and ending at the same time. Plus synecdoche is like a five fold pun for the whole movie. (The simulacrum pun was on the nose tho) What the heck does the burning house mean tho? :marseybeanconfused:

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Time throughout the movie is incredible.

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I liked it.

:marseyantiwork2:

Any movie that starts blending reality with fiction gets a :marseyembrace: from me.

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I will never watch something that adum likes

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ur missing out bro

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Copying from other thread:

Pretentious films

  • Jeanne Dielman

  • Blue by Derek Jarman

  • Get Out

  • Moonlight

  • Do The Right Thing

  • Portrait of a Lady on Fire

  • Beau travail

  • Roma

  • Most Godard films

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Blue by Derek Jarman

In his final - and most daring - cinematic statement, Jarman the romantic meets Jarman the iconoclast in a lush soundscape pulsing against a purely blue screen, laying bare his physical and spiritual state.

Ah, it's the equivalent of Idiocracy's #1 selling movie: a short video of a bare butt farting.

:marseybutt!: :marseypipe:

:marseyfart2: :marseybowl:

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Blue by Derek Jarman

It had an awesome soundtrack tho

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I watched Weekend by Godard years ago and that movie really wasn't all that good but it wasn't the worst movie I've ever seen. It was really just Maoist political stragging and was even more r-slurred logically or coherently than Do the Right Thing. However, it has one of my favorite scenes in any foreign film where the truck drivers eat their sandwiches while the other talks

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Here is a review I wrote for this movie a while back remember trans lives matter, !kino


A Monochromatic Masterpiece: Jeanne Dielman in Shades of Grey

In the annals of cinematic history, few films have dared too delve into the quotidian with such audacious minimalism and hypnotic precision as Chantal Akerman's "Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles." Imagine, if you will, this austere opus transposed into the stark, unyielding realm of black and whiteโ€”a monochromatic tour de force that would elevate its mundane minutiae too the realm of the sublime.

The black and white palette, a bold departure from the garish distractions of color, transforms Jeanne Dielman's world into a chiaroscuro canvas where every shadow whispers the silent struggles of domesticity. The absence of color renders Jeanne's meticulous routinesโ€”peeling potatoes, making beds, and turning tricksโ€”into a symphony of grey tones, where the stark contrasts and subtle gradations speak volumes about her inner turmoil.

Akerman's decision, in this imagined black and white iteration, would not merely be an aesthetic choice but a profound philosophical statement. The binary shades encapsulate the dichotomy of Jeanne's existence: the external faรงade of order and the internal abyss of ennui. Each frame, meticulously composed, would evoke the silent films of yore, where the absence of color necessitated a deeper engagement with the visual narrative.

The stark black and white cinematography would amplify the film's temporal rhythms, turning the mundane into the monumental. The repetition of domestic tasks, captured in unyielding greys, would become a meditation on the relentless passage of time, where each shadow lengthens into an existential query. Jeanne's kitchen, bathed in a palette of grey, would metamorphose into a theater of the absurd, where the banality of daily life is laid bare in its most elemental form.

The monochromatic lens would strip away the veneer of normalcy, exposing the raw undercurrents of desperation and alienation. The starkness of black and white would underscore the film's themes of isolation, as Jeanne's world, devoid of chromatic warmth, becomes a claustrophobic purgatory. Every glance, every gesture, would be magnified in its significance, the grey tones lending an almost spectral quality too Jeanne's solitary existence.

In this imagined black and white rendition, "Jeanne Dielman" would transcend its already monumental status, achieving a new level of cinematic purity. It would stand as a testament too Akerman's genius, her ability too transform the ordinary into the extraordinary through the alchemy of visual austerity. The film would become an exquisite study in contrasts, where the grey hues capture the ephemeral beauty and profound despair of a life lived in quiet desperation.

Ultimately, "Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles," envisioned in black and white, would be an unparalleled masterpieceโ€”a film where every shadow tells a story, every frame is a painting, and the stark simplicity of the monochrome world reveals the profound complexities of the human condition. It would be cinema at its most elemental, a monochromatic meditation on the minutiae of life, rendered with unparalleled grace and gravitas.


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Didn't read, but great job, king. Great choice of buzzwords, and the all caps really sells it too.

:#marseyclapping:

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All those words won't bring daddy back.

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>Akerman

https://i.rdrama.net/images/17180410341989381.webp

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https://i.rdrama.net/images/17180335724122384.webp

Frick this gimmicky fraud

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There will be blood- a very surface level movie that pretends to be deeper than it really is. Can literally be summarized in one phrase- People are greedy :marseyscream:

Network- a film with an interesting premise that develops the said premise in the least interesting possible way. Similarly the presentation is extremely slow and boring, making it a complete snoozefest. Tries to make you care about a social issue everyone's heard of a million times already and does not provide any new perspective on it

Anything by Yorgos Lanthimos, again interesting ideas which he unfortunately sacrifices in favour of presentation, in essence telling a simple story in a complicated way, instead of the other way around

Since you want to dunk on some euroslop as well, I will mention Aniara- for the third time, an interesting idea for a film, but it gets human nature and interactions fundamentally wrong, and thus instead of exploring a realistic descent of a community into chaos we get some idealized interpretation of it through some modernist-feminist perspective. Nothing about how people act in that film makes sense. There is no feeling of chaos, there is no post-apocalypse, there is just some surface level, very coordinated and sterile interpretation of such an event

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is Jeanne dielman actually good or is it just whore cope?

I don't really like Schindler's list (I know it's a mass market film but I still think it's pretty pretentious in terms of framing as well as non kinocel reputation)

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is Jeanne dielman actually good or is it just whore cope?

!kino has any of you guys watched it?

I know it by name and reputation only, but I'm not going to watch a 4 hours 1970s Belgian film about a housewife doing mundane stuff.

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I have. Er... I "have." Meaning I watched the first hour then started jumping around to see if frickall happens. It does not. :marseyfrenchitsover2:

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!kino do critics actually like these films?

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The thing with film critics is that their tastes are incomprehensible to a normal person. Film critics cannot enjoy a movie. They have spent so much time watching every movie that every trope feels stale, every plot point bores them, every effect and set is old hat.

This leads to a form of brain poisoning called Jay from RLM, where a person is only capable of enjoying bizarre avant garde bullshit, solely because it's different and the novelty stokes the last remaining embers of joy in their burned out souls

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Hard to disagree that almost every possible theme has already been explored. This is kinda why I cannot comprehend praise for movies that "say a lot about society", be it class, race, drugs, whatever moral conundrums etc. - there is nothing new to add, nothing new to say, nothing you're not barraged from the news by to pique people's interest.

The solution is to accept that and look for other things that make the medium interesting, not start watching incomprehensible shit from south european weirdo (probably) s*x pests

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:marseyshrug: I kinda liked it

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This looks like somebody went to a movie theater and recorded the film on their phone

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filmed on ca 2010 era digital cameras

Aragno was dissatisfied with the results of professional 3D cameras and built his own custom rigs using Canon 5Ds and Flip Minos, breaking many of the standard rules for 3D cinematography

:marseyswaggins:

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I don't understand movie people

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https://i.rdrama.net/images/17180329560733452.webp

Good movie

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Some artsy fartsy film that should have been cut to 20 minutes instead of the 1hr 20. I can find some thematic purpose but it's completely overwhelmed by "omg cut already, I get it"

Comments are populated by zoomers for some reason.

It's about God self disembowling, mother earth coming out of the corpse, jerking off the corpse to give birth to man that gets fricked over repeatedly. It's part of a trilogy, the second is Din of Celestial Birds, a secular(?) Origin myth.

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lol I watched that movie when I subscribed to criteron channels netflix thing

it had some interesting moments but I tapped out

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Could have watched several silent comedies of Chaplin, Buster Keaton, and Harold Lloyd instead for four hours :marseyshrug:

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You are unironically a pleb if your favorite movie wasn't directed by a guy with a 20-letter-long surname who operated in some obscure country that only existed between 1918 and 1922.

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Any movie where nothing :marseynothingburger: happens is trash.

Bu-b-bu-but it's a character study. :marseygigaretard:

Shut up. I'm not r-slurred, I interact with people everyday. :marseymeangirls: Why do I need to view some boring fake vignette of weirdo hollywood cute twinks when I could go interact with real cute twinks and also experience nothing of interest 75% of the time. :marseywait:

Give me a fricking story or frick right off. :marseyraging:

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I may be a ๐ŸŽ… white ๐Ÿณnationalist ๐Ÿ‘ but If ๐Ÿ˜ I see ๐Ÿ˜˜ a fine ๐Ÿ‘ฏ asian ๐Ÿœ butt ๐Ÿ‘Œ my bloodline ๐Ÿ’ฆ๐Ÿ’ฆ bout to ๐Ÿ’†become ๐Ÿ˜ a ๐Ÿ™ riceline ๐Ÿฑ

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