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Can you compare an adaptation to the book anymore without being called a cute twink? Poor Things: ⭐⭐⭐🕳️🕳️

I'm not going to nitpick and be like "The book took place in Edinburgh Glasgow not London :words:," but it's hard to judge the movie without comparing it to the source. While I don't think the novel's theme were very profound or new the film paint-by-numbers and the story very rushed. This is despite a 2¼ hour running time that felt flabby in the middle. And despite the film being about Bella's growth as a person it omits the book's epilogue. This is the only part from Bella's perspective and it changes how you view the entire story :smh:

This is also probably the least funny Yorgos Lanthimos film I've seen. I did get one good laugh and involved a character calling someone r-slurred. :marseywereback:

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i love watching movie adaptations although 95% of them are worse. sometimes adaptations are better when there's something fundamentally changed about them; eg Annihilation's story made more immediately digestible, Romeo + Juliet transformed into modern psychedelia, The Hunger Games being made in a visual format so you don't have to read the author's dogshit prose. these are the kind of adaptations worth making

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if you liked Romeo+Juliet that much Baz Luhrman also made Moulin Rouge. unfortunately i hate Moulin Rouge even tho i generally like musicals; you might like it :marseyshrug:. i did also enjoy his short-lived tv show The Get Down, which is about funk and the invention of rap in NYC in the 70s. he also adapted The Great Gatsby, which i haven't watched.

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I think a lot about Peter Greenaway and how he says most movies are just book illustrations. Even if you managed to do justice to a book's story there is very rarely anything done to justify doing it in a visual medium

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Brainlets think that tee vee is THE medium, so by adapting a novel you're actually elevating it

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