Watching another rDrama-recommended film, Taxi Driver, which I'm told is like Drive, which was shit

While I watch this please frick marry kill with the pokemon in the attached image.


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The only problem with the ending was that he wasn't driving towards another libertarian ring

What movies are a 5/5 other than synecdoche

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Carp's GOAT Kino List (for film, not movies, though some movies are also films):

Synecdoche New York

Melancholia

Irreversible

Kaili Blues

Sound of My Voice

Another Earth

Black Moon

Suspiria (2018, not Argento's original)

Shadow (also 2018)

Hereditary

Turin Horse

Seventh Seal

Alice (the Czech one)

Yojimbo

Good, Bad, Ugly

A Bullet For The General

Marketa Lazarova

Fight Club


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Yojimbo is my top 5 of samurai films. I am literally him (I wish). I've seen it at least once every two years over the past 20.

The director, Akira Kurosawa, is a groundbreaker in modern film. One of his best is Seven Samurai, which the Magnificent Seven (both of them) are built on but lack character development. That one is in my top 20. Quinten Tarantino and all sorts of Ameristrags have built their films around his.

But look, my negro. It's a 1960s black-and-white Japanese film. You grab some sake, sit down, and enjoy the film. No r-slurs allowed.

Seventh Seal is a classic, with that knight playing chess with death. It's Swedish, and it's old, so lower your expectations. It's a slow and amusing film by another excellent director.

Except for Syndedoche, the rest are okay.

!kino, fight me. :marseypunching:

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Yojimbo was merely a swordbearer to a daimyo and not a real samurai

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Also, Victor Wong, the guy who played Grandpa from 3 Ninjas who teaches his grandkids ninja martial arts is actually Chinese not Japanese

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Just like the black version of Karate Kid is actually Kung Fu. Tsk tsk.

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I can see that being important for some people. "Yeah I'm a fan of Kung Fu but I've never even heard of the Japanese version."

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All martial arts fall into precise and discrete racial lines and time periods and have never influenced each other.

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Wrong. Kung Fu influenced capoeira, and Shaoliang taught Bruce Lee's father how to beat people with his feet.

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But is Hulk Hogan, from 3 Ninjas: High Noon at Mega Mountain, still a real American?

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Yes, always!

:marseycheerup:

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Am I missing any must-see Kurosawa

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No but Toshiro Mifune played Lord Toranaga in the original version of Shogun which makes it worth watching :marseythumbsup:

Also you are still missing Hanzo the Razor

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The yojimbo sequel is fun. Sanjuro I think is what it's called. It's pretty much the same plot, so don't expect anything groundbreaking.

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Kagemusha

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I saw Seventh Seal and wasn't impressed but I'm pretty sure the subtitles were shit. Somebody would say four sentences and there would only be four words of subtitles. In boomer times they really underestimated how fast people can read.

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Other than Synochdeche New York and Suspiria 2018, these are all (with the possible exception of Kaili Blues, The Sound of My Voice and Shadow, which I've not seen) pretty good, if not great movies.

I'm a massive fan of the original Suspiria and thought the remake was too much pretentious nonsense and not enough creepiness & horror, tho I'll concede it has some of the best non-nude dance scenes I've ever seen.

Jan Svenkmejer's Alice is great. You have to watch it at least once when on drugs.

The only criticism I have of The Seventh Seal (one of my favourite films of all time) is the fact that there's not one but at least three breathtakingly beautiful women on screen for most of the movie, which tends to distract a bit from other elements of the film, so multiple viewings are essential.

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man this ghost ping business is whack

That being said, I literally watched seventh seal for the first time last week and don't understand the hype

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Kaili Blues on the whole is a pretty middling Chinese drama, but that ~42 minute tracking shot (on foot, in multiple vehicles, with three different languages, across two towns, hundreds of extras, including a full haircut and a musical number) will almost certainly forever be the most remarkable cinematic achievement of all time and singlehandedly elevates KB to an all-time great. I don't even feel that this is controversial, it gets me hard just thinking about it. It is the cinematographic equivalent of the "Asian guy does extremely hard thing in some insane, unnecessary and wildly impractical manner impossibly well for no reason" irl trope

re: suspiria, I'm actually not crazy about Argento's original, possibly because I saw it after the remake, but the surreal, slow burn and omnipresent sense impending doom and just barely out of sight malice coupled with the very much in sight malice (mirror room scene will always be the best horror scene of all time I think) is just

:marseybiting:

and it's all so beautifully shot and choreographed.

No disagreement at all with the rest aside from a vague half-assed defense of SNY which I've put up so many times over the years it makes me tired to even think about doing it again lol

ETA: sound of my voice is great, very Marling piece and she can do no wrong in my book, but if you liked Another Earth, The East and I Origins you will definitely like SOMV. Everything she touches is gold and while Another Earth isn't going to be topped, SOMV comes close.

Shadow is brilliant if you're into Zhang Yimou wuxia shit. House of Flying Daggers you've definitely seen, Curse of the Golden Flower probably, it's more of that from the same dude. Stunning use of colors and choreography, the inevitable fricked up Chinese love triangle, plot twists at the end that are in all likelihood slightly contrived but hit hard and fast.


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Are these even real movies? I see two on here I recognize.


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Are YOU even real?!

I've never heard of you!

Post I.D.

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zoz

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zle

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zozzle

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They're entry level. Watch less flicks

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You just described me. I'm the 3 beautiful women in the film.

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!kino thoughts

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Melancholia

Utterly irredeemable trash. The only good bit was right at the end when every miserable c*nt character in that wretched piece of shit garbage "film" was fricking obliterated.

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Based on that list, I'll make a recommendation that I'm sure you haven't seen:

https://archive.org/details/yuke.yuke.nidome.no.shojo.aka.go.go.second.time.virgin.koji.wakamatsu.1969

One of my favorite movies (and one of the only ones that perfectly aligns with what you would expect me to like) is the 1969 Japanese arthouse classic Go Go Second Time Virgin, an ultra-bleak, ultra-artsy, and hyper-stylized tour de force about the doomed bond that forms between two sexually abused teenagers who live in a squalid, violent apartment complex. A film that perfectly embodies the aesthetics of the Japanese New Wave (my personal favorite of all the cinematic New Waves), it's the only film I've seen that manages to be relentlessly visceral, nihilistic, and misanthropic, yet tender, poignant, and humane at the same time. A one-of-a-kind, unforgettable, and genuinely moving mini-masterpiece of the sort that only a Japanese filmmaker could pull off. The film is exceptionally graphic even by today's standards (let alone by 1969 standards), but it never feels the slightest bit mean-spirited or exploitative, and director Koji Wakamatsu makes you genuinely care about the lost souls that he focuses on. Even when rubbing your face in all manner of ugliness and turpitude, the film is filled with genuine pathos and sympathy. Like the lives of its two protagonists, it is short and brutal, clocking in at just 65 minutes. The last scene - where our two tragic heroes join hands, smile at each other, and then jump off of the roof together (after going on a bloody killing rampage) - is one that really sticks with you. This film is certainly not for everyone (and it's certainly not for anyone who can't handle extremely graphic and prolonged depictions of sexual violence), but I would consider it to be one of the best movies I've ever seen.

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I've never even heard of any of this except like fight club an maybe good bad the ugly neither of which I've watched


and I am a better person for it :marseyindignant:

youtube slop is just more compelling

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Understandable but surely you've seen Hereditary

It supplanted The Exorcist as like the most universally agreed upon masterful horror film with both auteur and mainstream appeal

People still won't shut up about it years later and I don't fault them for it, Aster outdid himself and everyone else in the history of the genre with it


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no idea wht that is

I never liked horror

mommy made us watch IT as kids and I never wanted to see one again

I've genuinely only watched youtube and a few animated movies/tv shows since becoming online :marseyretard2:

forced to see the occasional capesht

I imagine this is the typical !zoomers experience

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I was born in 1995, was online from early childhood, and received heavy exposure to the sickest shit on the surface web from age 11 onwards. That's the zoomer edgelord experience. :marseyemo:

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That movie was so upsetting, it made me want to throw up

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The scene where it's super dark in his bedroom and you can see but not very well and the camera just stays on him sleeping for a silent 30 seconds or so and eventually you realize mom was in the corner of the ceiling the entire time and you could have seen her at any time but you didn't fricked me up so hard lol

I still sometimes look at the corners of my ceiling if I wake up in the middle of the night

And then after that it's just the most frenetic rush of insanity until credits

Mom beheading herself with the piano wire was also disturbing in a way not much else can be

Hereditary was what sold me on the legitimacy of horror as a genre


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The only horror movie I have ever liked is Evil Dead 2

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Have you seen Nightcrawler?

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