Taylor produced the first recording of the song with Evie Sands, but the financial straits of Cameo-Parkway Records, which had Sands on their roster, led to a highly limited single release and no promotion.
The second recording was by UK vocalist Billie Davis made in 1967 by Danny Michaels for Lee Hazlewood's LHI label. P.P. Arnold provided backup vocals for this version and later released a version alone.
The song became a hit in 1968 through a recording by Merrilee Rush.
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