The Very Hungry Caterpillar: A Review

The Very Hungry Caterpillar is, on a the surface, merely a sweet story about a very hungry caterpillar and his journey of consumption and metamorphosis.

The author had an entirely different meaning in mind.

TVHC is a story about the author's struggle with their sexual and gender identity, preceded by years of substance abuse and high-risk sexual encounters.

The story begins with the caterpillar hatching from an egg. The Egg is both vaginal and penile, resulting from the combination of ovum and sperm. Within the author, they realized their own sense of vagina and peepee, causing a cognitive dissonance in their own identity.

TVHC's insatiable hunger for food can be seen as a metaphor for a deep longing to explore and understand one's own identity. It reflects the desire to consume knowledge about gender and self-discovery.

TVHC starts by eating through one red apple. This symbolizes the early stages of puberty, menstrual blood, and singular s*x (masturbation). The fact that future foods continue to grow in number and frequency shows the author's increasing libido, but also a shame cycle that is both calmed and exacerbated by continued high-risk exploration.

When TVHC eats through two pears, this symbolizes their first sexual encounter with two people. The green color of the pears symbolizes marijuana abuse, as well as the color of young, supple growth of a plant and the loss of the author's innocence. Since this is the second day of TVHC's life, it can be inferred that this sexual encounter occurred early in life, most likely in abuse as a minor, setting the stage for a life of sexual confusion and impulsiveness.

As the numbers of food increase, so too do the sexual partners. As visualized in the artwork, the penetration of TVHC through food symbolizes the penetration the author experienced as the sexually receiving partner, and the resulting holes in the food represent the continued diminishing of their psyche and worth.

After the numerical scaling of partners achieves maximum, TVHC binges in many different singular foods, much like the author's series of promiscuous encounters. The pace of the text is at a crescendo, the sexual encounters frequent and fleeting.

The Cocoon is not a transformative moment, but one of death and burial. Death of the Soul. Death of the Vagina. Death of the Peepee. Death of the Self.

The emergence of The Butterfly is the emergence of Denialism. Unable to face the damage to his body and soul from illicit drugs and STDs, the author adopted a new persona in order to dissociate from their true self. It is too late however, and so a short-lived life of denialism is all that is possible, until TVHC lays a new egg for the cycle of abuse to continue.