The King has died and according to BIPOC customs his horseman (the protege of this movie) has to commit ritual suicide in 30 days after that. Everything seems to be going smoothly and everyone's happy and dancing and all that and celebrating his pending demise because it's a great honour for the horseman to serve the King in the afterlife or something.
However, the horseman's a moid so he can't help his degeneracy when he spots some young chick on his last day, and tells the village shaman (?) that he would like one last bang, of which the shaman accedes to and cucks her own son in the process because that chick was actually betrothed to her son lol
You'll see quite a fair bit of mayo nonsense because the movie's staged during colonial times when the bongs weren't so cucked. Here the police chief and his wife shock a native BIPOC cop by wearing what I assume is native burial clothes or something in preparation to perform at some fancy ball where the bong prince is supposed to show up at:
Also I found out that "massa" wasn't just some racist online trope that chuds were using to make fun of BIPOCs since "master" was really pronounced as "massa" in this next scene:
Then we have a scene where the mayo woman was calling the horseman's son (who was studying to become a surgeon in bongland and came back to bury his father) a savage because he seemed very nonchalant about the whole ritual sacrifice thing:
So of course the mayo bongs were going muh human rights and arrested the poor horseman for wanting to serve his king I love how he calls the bong a "nameless pale forest ghoul"
I shall not spoil the ending and admittedly it's not the best movie or anything but I did not expect to see some of the scenes in current year so I guess it felt... authentic and intriguing? You'll find this on Netflix of course, since they're a chud streaming service after all.
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