The warcrimes the Japanese commited against my people are vastly overblown and mostly justified.

Park Chung Hee, who modernized Korea and made it an industrial powerhouse, literally signed a Blood Oath to Japan and has a suspiciously light history on what he did as a company commander in the IJA in Manchuria for 3 years during WWII.

Anyways, he steezed his way out of jail and become a Brigadier General by the end of the Korean war for his incredible commie-destroying skills, then took over the government, rounded up all the homeless (based) and was shot by the head of the Korean CIA for... Actually no one knows why the KCIA Director just killed him over dinner. It's actually bizarre. Anyways, that's Korean politics his daughter became president and had some lesbian witch cult running the country lmao

Not because Koreans in general are evil

They don't think it's evil but east Asians have very low empathy a culture where eating living, moving animals is normal just has completely alien set of values to me.

Similar with the German reich. SS division Wiking and Galazien were very well known for being ruthless butchers. These kind of organisations attracted the most cruel and sadistic buttholes imaginable.

Tbh all the books and papers I've read about the Korean war makes me blame the worst of it on primarily the Americans and the SKorean government.

>hold on, my eyes are blurry

They aren't chill they're poor. China pretended to have swallowed its humiliation when it opened up its econ it doesn't anymore. Any culture that can fight a war like that holds long grudges

A) Liberty B) death

Didn't a french emperor almost take over Mexico?

Wow this @TR guy sure is lucky

https://foreignpolicy.com/2015/09/02/china-japan-revenge-s*x-shame-porn-propaganda-world-war-ii/

For decades after the founding of the People's Republic in 1949, the state viewed mass media, particularly film, as a mouthpiece for revolutionary propaganda. But by 1985, when the Nanjing Memorial opened, film was becoming a more freewheeling industry, with cheap content often testing the bounds of censorship. Depictions of female POWs, tied up to suffer for their country, became a popular trope of wartime genre pictures, as detailed in one enthusiastic Chinese blog entry on film and literature criticism website Douban. Among the first was The Roaring Sea, a TV series that debuted in 1982, in which a female soldier is captured, "hog-tied, gagged, and humiliated," as blogger "Moonlight Shengnu" (a Chinese term for an unmarried, or "leftover," adult woman) describes. The scene, which Moonlight calls "very arousing," was excised for broadcast on national television a year later. By the time the heroine was captured and paraded by Japanese soldiers in 1991's Hero on Fire, shots of her being stripped and r*ped, hands tied behind back, were permissible. "Some people like watching bondage. It's not like those shows were serious drama," argued 27-year-old financier Huang Li, who remembers such programming from his teens. "There used to be lots of tits exposed in anti-Japanese war shows too, just in the form of breastfeeding. Were those shots necessary? No."

Retaining viewers in the competitive satellite television market came at the risk of attracting official censure. But as studios became lazily reliant on politically acceptable World War II dramas, their content grew increasingly outlandish. Take Human Breast Den (1989), whose bizarre plot is little more than Unit 741 with a lactose twist: The Japanese army captures a group of busty, qipao-wearing soldiers who happen to be lactating. The women, after refusing to produce milk for the soldiers, are tied, branded, and whipped, before a small Chinese force overwhelms the entire base and rescues them.

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