Relevant scene:

Ha! Tricked you! White supremacy is the real grooming chuds!

It didn't feel believable at times, and the dialogue in those scenes wasn't fantastic. Also they hinted at the ending over and over but it wasn't even satisfying imo

Don't see what's so great about S1.

So it starts out with James McAvoy (the last king of scotland) eating breakfast with Forrest Whitaker (his slave). They talk about life and stuff, like being the King of Scotland and emptying chamber pots.

Then like half way through the movie for no apparent reason, they just start killing all the slaves. This is like, really dumb, since slaves cost ad much as a car back then. Anyway, this makes the slaves angry so they start revolting and killing other people.

Anyway, it ends with a bunch of slaves hanging James by his nipples until he dies to the tune of Sad Song #8. That's why he was the last king of Scotland.

I rate it 9/10

The King has died and according to BIPOC customs his horseman (the protege of this movie) has to commit ritual suicide in 30 days after that. Everything seems to be going smoothly and everyone's happy and dancing and all that and celebrating his pending demise because it's a great honour for the horseman to serve the King in the afterlife or something.

However, the horseman's a moid so he can't help his degeneracy when he spots some young chick on his last day, and tells the village shaman (?) that he would like one last bang, of which the shaman accedes to and cucks her own son in the process because that chick was actually betrothed to her son lol

You'll see quite a fair bit of mayo nonsense because the movie's staged during colonial times when the bongs weren't so cucked. Here the police chief and his wife shock a native BIPOC cop by wearing what I assume is native burial clothes or something in preparation to perform at some fancy ball where the bong prince is supposed to show up at:

Also I found out that "massa" wasn't just some racist online trope that chuds were using to make fun of BIPOCs since "master" was really pronounced as "massa" in this next scene:

Then we have a scene where the mayo woman was calling the horseman's son (who was studying to become a surgeon in bongland and came back to bury his father) a savage because he seemed very nonchalant about the whole ritual sacrifice thing:

SHOW MORE

Capeshit is dying. Drive them from the theaters. Watch them scatter to the streaming platforms. This is but a taste of what's to come

This show was great in S1, mid in S2, dogshit S3 and “huh, you’re still on?” In S4. It’s donezo now.

Howl a song.

this

Why is Django Unchained so kino? This movie is what Black Panther should have been.

For me:

The Evil Dead (1981) and sequel

Night of the living dead (original 1968)

The Conjuring

They got me, I watched it. What I saw was group of young people, that you can relate to, being chased by scary monsters that pick them off one at a time. A couple of the young people end up surviving. There's also a third act reveal that covers for the lazy butt "and then this improbable thing happened" writing of the first two acts. The core psychological themes of the original Hellraiser( desire summoning demons, the combination of pleasure and pain into peak experiences) are, at best, hinted at. Now there's lore, lots of lore( THE SIX CONFIGURATIONS OF THE BOX REVEALED! ), but none of the opportunities to make an actual Hellraiser movie are picked up despite being created. The protagonist's tendency to turn to drugs when confronted with stress is dropped entirely after it causes them to get high and touch the box, nothing is done with the cenobites restyling from BDSM into gender bendy s( Pinhead still has pins because iconic character), the rich hedonist's curse/reward that inflicts constant, unpredictable low level pain is kinda cool( he's basically impaled with Chinese water torture) but this doesn't actually pay off in any way.

Also, the lead chick is mid so you can't even watch some hot b-word run around and scream. Frick off/10.

Obviously in this one the white woman is attracted to both the leader and the science guy and the series centers around their romantic triangle.

“When I look at these big, spectacular films — I’m looking at you, Marvel and DC — it doesn’t matter how old the characters are, they all act like they’re in college. They have relationships, but they really don’t. They never hang up their spurs because of their kids. The things that really ground us and give us power, love, and a purpose? Those characters don’t experience it, and I think that’s not the way to make movies.”

https://old.reddit.com/r/CharacterRant/comments/rre483/the_lotr_extended_editions_arent_nearly_as_good/

https://old.reddit.com/r/CharacterRant/comments/x8xye9/sick_of_people_being_confused_and_angry_when_mha/

https://old.reddit.com/r/CharacterRant/comments/ox1wan/marichat_is_not_the_best_ship_in_miraculous/

https://old.reddit.com/r/CharacterRant/comments/y6ft0j/house_of_the_dragon_and_the_art_of_choosing_the/