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More seethe:
https://old.reddit.com/r/FluentInFinance/comments/1ci4fw0/welcome_to_the_whitecollar_recession/
https://old.reddit.com/r/business/comments/1ci4g1k/welcome_to_the_whitecollar_recession/
Over the past year or so, pretty much everyone who's looked for a job has told me the same thing: The job market is brutal right now. They've applied to dozens if not hundreds of openings, only to get one or two callbacks. No one's hiring, they tell me. I've never seen it this bad.
Listening to them, you'd think we were in the middle of a recession. But the confusing thing is we're nowhere close to one. Unemployment is near a five-decade low. The economy is adding hundreds of thousands of jobs each month. Wages are growing faster than inflation. By all the standard measures, the job market is doing just fine. So why am I hearing such a different story from people on the ground?
The dissonance finally started to make sense to me when Vanguard, the investment-management company, released its latest report on hiring. By looking at the enrollment and contribution rates of its 401(k) retirement plans, Vanguard is able to calculate a national hiring rate broken down by income level. And what the numbers show is a two-tier job market --- one divided between a blue-collar boom and a white-collar recession.
Among Vanguard's lowest earners --- those who make less than $55,000 --- the hiring rate has held up well. At 1.5%, it's still above pre-pandemic levels. But among those who make more than $96,000? It's pretty depressing. Hiring has slowed to a dismal 0.5%, less than half the peak it reached in mid-2022. Excluding the dip in the early months of the pandemic, that's the worst it's been since 2014. If you make a six-figure salary, it really is a bad time to be looking for a job.
The question here is why. Why are companies hiring so few white-collar workers right now? Several possible explanations come to mind. It might be that fewer people in corporate jobs are quitting right now, which would mean companies have fewer openings they need to fill. It might be that the industries that are struggling the most --- tech and finance --- are the ones that employ a lot of high-earning professionals. Or it might be that CEOs are making good on their threats to cut back on what they see as corporate bloat --- what Mark Zuckerberg has called "managers managing managers, managing managers, managing managers, managing the people who are doing the work."
But there could be a bigger, more worrisome explanation for the downturn in white-collar hiring. Maybe companies are anticipating tough times ahead and trimming their budgets accordingly. "If you need to pull back on costs," says Fiona Greig, the global head of investor research and policy at Vanguard, "pulling back on expensive workers will reduce costs to a greater extent than pulling back on your lower-income workers." Translation: The more you earn when budgets are tight, the less an employer wants to hire you.
Now, you could argue that a slowdown in white-collar hiring doesn't really matter in the current economy, even for white-collar workers. Sure, Vanguard's data show that things are tough for professionals who are looking for a job. But there aren't that many people who actually need a new job right now: The unemployment rate for people with a college degree is 2.1%, and the national layoff rate is below what it was pre-pandemic. When the vast majority of professionals already have a job --- and are able to keep their jobs --- maybe it's OK that companies aren't hiring.
But that argument doesn't take into account one important factor: What if the job you have is one you hate? I have several friends who are unhappy in their current jobs, but they can't quit because no one is hiring. Some observers have called this combination of lower hiring and less quitting "the Big Stay," suggesting a kind of equilibrium after the chaos of the Great Resignation. But my colleague Emily Stewart has a better name for it: the "trapped in place" economy. I think professionals feel this trapped-in-placeness particularly acutely. After all, it wasn't that long ago that they were enjoying a "take this job and shove it" swagger, which was fun to watch. During the Great Resignation, they knew it'd be easy to find a new job, which meant it'd be easy to walk away from their current one. Even if they weren't planning to leave, the job market gave them a sense of freedom --- the feeling that they no longer had to put up with a bad boss, or a brutal workload, or an arbitrary return-to-office mandate.
This, I think, is what explains what people are calling the "vibecession": the weird state of feeling like we're in a recession even though all the standard metrics show we're not. What we're experiencing is actually a slowdown in *white-collar *hiring --- and white-collar professionals (me and my angsty friends) are the people who shape the public discourse about the economy. "People feel that things are moving in the wrong direction," says Guy Berger, the director of economic research at the Burning Glass Institute, which analyzes the labor market.
And for the most elite professionals, things could get worse before they get better. Berger tells me he doesn't expect a full-on recession anytime soon. But he's keeping an eye on the unemployment rate for people with advanced degrees. Pretty much everyone else is doing OK, job-wise --- but there's been a slight uptick for all the smarty-pants with master's degrees and doctorates. They aren't exactly struggling right now. "We're still talking about the people that have the highest pay in the job market and the lowest unemployment rate," Berger says. But for them, hiring is headed in the wrong direction. And as AI cowtools increasingly encroach on professionals' tasks --- writing, coding, coordination, analysis --- we'll likely see a lot more weakness at the higher end of the income scale than at the lower end.
This isn't the story we're used to hearing about employment. For decades the economy has been leaving workers with lower incomes and less education behind while professionals have reaped all the gains. But now those roles are reversed, and it's the high earners who are taking the hit. No wonder everyone is confused about how the economy is doing. "We're having some trouble collectively digesting that," Berger says. And the longer the white-collar hiring lull continues, he warns, the more the resentment will build.
"Even if there's no big surge in layoffs, people are just going to get grumpier and more dissatisfied," Berger says. "If it continues for three or four more years, it's going to cause a lot of discontent and low morale in corporate America."
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The Global Terrorism Database contains over 200,000 cases of terrorism from 163 countries, with records dating back to 1970. With such a vast sample size, there's bound to be some winners and losers among them. Here's a few I think represent the range well.
Brimstone - The Irish Republican Army
Beneath the hero worship and carefully curated folklore around the Irish struggle for independence from the only nation even less qualified than themselves to rule them, the IRA suffered from living beyond its usefulness. It splintered into political groups and people's committees that had to disavow eachother over the latest accidental slaying of Irish children. It's ranked this low, in spite of being “successful” (really the Brits had gotten over their illusions of administrating the world and cut their losses), because of just how cringe they were while dying out.
Coal - Jan 6th (lol)
I couldn't believe it but yes, this was in there, and no, @Impassionata, it shouldn't be. Nothing happened, no goals were established.
Milk - Al Shabaab
Somalia is a failed country and a living heck for everyone involved, so relatively speaking Al Shabaab's goals of administrating the region is equal parts r-slurred and achievable. The Muslim plurality give them enough cover to operate in the capital, and the fact that the terrorist group feeds and pays on time and in USD respectively makes it more lucrative to the layman than enlisting in the military or sustenance fishing. Honestly, just give the shithole to them.
Gem - Hamas
Possibly upranked due to recency bias, the world's largest martyrdom continues its near-century long tradition of pitting antisemites against antisemites in the First World. As a military power, Hamas is unequivocally BTFO'd by billions in defense spending and is by far the least successful group on this list. But in international positioning and politics, it continues to be a thorn that prompts left leaning first worlders into fifth columnists.
Cute and Valid - Taliban
An organization that has chapters spanning three nations, including Afghanistan which they outright administrate and Pakistan which they are the primary merchants of violence. They have a code of law and schools, banditry and opium production has been ceased in their territory. They are everything that the likes of Al Shabaab wish they were.
!poll_voters !nonchuds What's YOUR favorite terrorist groups? Shill for them if you want in the comments.
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Activision DEI Leaked! Plus:
— Grummz (@Grummz) May 16, 2024
- Your bonus and review depend on how hard you DEI.
- DEI Officers are installed on every dev team to ensure THE MESSAGE.
Of all the AAA Studios out there, my dev friends and contacts who have come forth tell me that @Ubisoft and @Activision are… pic.twitter.com/TDZqRn6v0o
So many slides to say nothing lol. Except they measure every employees sense of belonging with an "inclusion score"? That's some meaningless foid shit.
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I'm incredibly proud to announce that I've accepted an offer for my dream at @OpenAI
— Roko (@RokoMijic) May 15, 2024
Along with my new colleagues Nick Land and Richard Sutton I'll be helping to usher in a new era in the history of the universe. I'm so excited!
I'll be serving as the new head of… pic.twitter.com/9sgYcvXY26
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CREAMY_DOG_ORGASM
: can you buy me an unban award please. i upmarseyd this post
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Basically both sides have been dissing each other since the massive sub split into Chuds versus Coomers 2 weeks ago!
Basically cross-sub bigading as per usual on Preddit is only halted when the chud sub becomes belligerent
Dont know if I agree with all of the current newly formed /r/HorusGalaxy views, but it appears they have similarity in views to rDrama.net on wokescolds and trains in the colonization of subcultures.
anyways the rest is generic Chud bitching which i mostly agree with but isn't really anything dramatic
The REALLLL DRAMA comes from /r/GrimDank wokies who constantly seeth as they are subbed to the chud offshoot sub, and constantly try and report and flag the sub as wrongthink, and while /r/HorusGalaxy has moved on after 2 weeks, with the odd post per day bitching bout wokes in mug gaymes,
the cucks from /r/Grimdank on the otehr hand often have their cross-sub brigading removed by the admins themselves!
EXAMPPLE:
under the top-posts of the past 24 hours I cannot find a post i had managed to capture with some screenshots from phone, so this particular one lasted barely 2 hours.
Yet i found this at the 220 votes mark one hour ago.
You guys will notice one of the most repulsive wokescold defenses on the radicalization of many medias or subcultures is that they supposedly have always been liberal. Like the Star Trek universe for example: which from its origin had far more liberal and progressive themes in their makeup and storytelling
Yet once again there is deliberate misunderstanding of the claims of critics and chuds, as there are deceisive differences between modern Wokism and generic liberalism of yesteryear.
The Star Trek creators of the 1960s-1990s were much more liberal than even I am, yet they did not create their respective lore and shows for the sake of lecturing their audiences, the series and movies were not sermons, and ideological self sucking
Oftentimes the more liberal space-ship captains would be faced with impossible choices or moral conundrums in their monster-of-the-week shitshow scenarios, where even in their gay space commie utopia, the universe was filled with difficulty, including ideological and philosophical difficulties
The gay space Star TRek utopia served as a vehicle for the storytellers to explore higher ideals or hopeful future thinking, and worldbuilding for a better future state version as per the morals of the authors, yet even then they WERE NOT dogmatic replications of the author's contemporary present politics.
There were subtle and unsubtle episodes, but overall, I do not recall such a time in the Star Trek community, where the fanbase were as divided since Nu-Trek. I'm not a start trek fan so you dorks will have to fill me in if im misremembering.
Cuz for the 1st time since the nogging
of modern woke shows has even hardcore Trek fans like the RedLetterMedia guys been filled with franchise apathy and doomerism,
because the general feeling is that the Showrunners are not longtime fans of the franchise and do not hold spirit of the old shows in high regard, and publically and abrasively account to make diversity and modern Presentism to be more important than the soul of the old shows. That is what wokism is and what i think many chuds fail to be able to verbalize
Thus all this abrasive claims that this or that media or subculture has always been woke, is espoused by the same cute twinks and wokescolds who deny the existence of wokism itself - a regressive ultra extreme variant of Liberalism which manifests itself as a secular religious dogma to infiltrate all aspects of life.
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Confirming what everyone already knew, the gender ratio is absolutely fricked
Here's everyone that put rdrama as an interest
What do you think this guy's account is?
There's also someone larping as spal
The people who made the dump also wrote an analysis of the site, but it's book length
post anything funny you find in the comments
also: here's some 4chan threads about the leak
https://boards.4chan.org/g/thread/100439995
https://boards.4chan.org/soc/thread/33119771 (this one has the creator replying, ctrl-f duodaddy, his tripcode is !!SyauLZHQRqN)
Why it was so easy to scrape.
update: in order to fix the user ID issue, the admin had to wipe everyone's private messages
https://boards.4chan.org/soc/thread/33122507
https://boards.4chan.org/soc/thread/33125314
users aren't taking it well.
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The Publica has obtained the internal guidance created by the “leaders” of the pro-Palestine student protests that have rocked the country over the past month. The documents, circulated via Google Drive, teach protestors about how to conduct an array of criminal activities, but also provides information on prison abolitionism and the gay nightlife in the West Bank.
The extensive drive contains multiple categories, including those dedicated to information on Palestine, prison abolitionism, student militancy, and “strategies and tactics.” The information is presented “zine” style, complete with snazzy graphics and artwork.
One file, titled “The DIY Occupation Guide,” contains instructions and methods on how to barricade doors, creating corrugated metal barriers, and forming “shields” from trash cans. Techniques also include how to break into buildings using crowbars, bolt cutters, and angle grinders.
Vandalism and general criminal activity is celebrated in the guidance, with documents encouraging protestors to smash the cameras of media and bystanders who may be filming in one document titled “In Defense of Smashing Cameras.”
The opening of the document reads: “Photographers at demonstrations will soon outnumber demonstrators, those who are willing to take action. This is something we need to take a stand against. Cameras are cowtools of surveillance, and whether it is us or the enemy that wields them, we are participating in our own surveillance.”
It continues: “Next time you see someone thrusting their lens in someone's face, getting a little too close and personal, blocking your path to assist your friends so they can get a winning angle, we ask you not to stand idly by. Fight back. Protect your friends. #smashcameras.”
In other documents, protestors are taught how to break locks, open car doors, and immobilize tractors and trucks.
But the protest leaders appear confident that arrests for criminal activity will not lead to harsh penalties, referring to being arrested as “easy.” The file instructs protestors to “just stay quiet and wait for them to let you out.”
The Google Drive also contains advocacy information on prison, police, and University abolitionism.
In perhaps the most bizarre file, titled “Queer voices from the Fight for Palestinian Liberation,” protestors are taught that the West Bank has a bustling LGBTQ+ scene, including claims that gay raves take place in Ramallah.
The first page of the zine quotes Zaheer Suboh, a self-described “queer” Bay Area DJ who was born in the United States to Palestinian immigrant parents. At the age of six, his family moved back to Palestine but later returned to California during his teenage years.
“What do any of you know of my Palestine? Of the late night queer parties in Ramallah? Of raves held in biblically aged buildings? Of lesbians in hijabs, of gay men in hoop earrings, of trans Palestinians dancing with joyful abandon?”
Suboh continues: "We fear Israel first, before our families, always. We're 100 times more likely to die at the hands of an Israeli gun or bomb than by western propagandized ideas of honor killings. I've seen White Christian Americans wish their child be dead rather than gay ... Israel is the one that weaponizes the homophobia that Queer people all over the world of all religions experience to justify murdering Palestinians of all kinds, young and old, Christian and Muslim, Queer and Straight."
In recent months, universities across the United States have witnessed a surge in protests related to the Israeli-Palestinian conflict. These demonstrations often stem from heightened tensions and violence in the Middle East, particularly in the Gaza Strip and Jerusalem. Multiple universities have endured extensive damage as a result of protestor occupations and encampments.
At Portland State University, the Millar Library was left in shambles following a three-day occupation by protestors, who destroyed much of the building and have resulted in its indefinite closure. At New York's Columbia University, cleanup efforts have been underway for days following the NYPD's breakup of the occupation of the campus.
Amongst the other universities rocked by protest include Princeton, where students have recently taken to converting to Islam and going on hunger strikes until their ultimatums are met.
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PC G*mer Link: President of Xbox asked about the closure of Hi-Fi Rush developer Tango Gameworks, spends close to a minute saying almost nothing
@ 4:00 is the question
Edit: I watched the video again. If you pay attention really closely, she's just whispering under her breath the words “shareholder value” for 17 minutes.
I wonder does she talk in this way in all parts of life, because conversation with her would be impossible.
Imagine being her husband and asking her "How was your day, honey?" and then just getting bombarded with buzzwords and corp-speak that says absolutely nothing, let alone answer the question.
Bonnie Ross vibes (who??
)
its this everyone of these guys from Xbox are MBA drones on $500k or more none of them are g*mers, none of them have ever picked up a controller, all of them have a placeholder Xbox g*mer account with token acheivements etc. yusuf mehdi, mr. tv tv tv tv - they're all the same.... slick slimy advertising buttholes and this is why xbox is always going to be #3 i think at least nintendo and to some extent, playstation has some dedicated folks at the reins... ie. mark cerny seems to be a great h/w person and theres people like Kaz Yamauchi.... truly... savants and yet if you look at other MS alumni like Panos Panay, I'm not sure its better if you throw it to them... was it different with peter moore j. allard behind the wheel? well yeah. the current staff going back to mattrick makes me not want to spend money on xbox
She's the president? lol. Xbox is fricked
McKinsey word salad
some good fighting among redditeurs
They really have no idea what they're doing
If only they had experts like the ones in reddit, theyd be successful.
If only they had more white knights like you to guard them
I'm not claiming to be an expert, but when a studio releases Hi-Fi Rush, it receives insane reviews, great sales, and GOTY nominations/awards, is praised by the publisher, then is immediately shut down, then the publisher comes out and says "we need smaller games that win awards"... I mean yes like I said I'm no expert BUT COME THE FRICK ON. They clearly have no idea what they're doing. I'm no expert but I know that Nintendo doesn't just fire a bunch of people after their game sells like crazy, and that company has been making games WAY longer than Microsoft. It doesn't take an expert to see that Microsoft has no idea how to manage game publishing.
Did it have great sales tho? It's not like it was an indie game that cost nothing to make and it was only sold at $30.
It's hard to find hard numbers on it because it's digital only but according to the wiki it has had over 3,000,000 players between both sales and Game Pass and it's now releasing on Playstation and Switch. I'd say it's been a financial success.
I seriously doubt it had “great sales”. It probably had the opposite of that for Microsoft to shut them down. I seriously doubt Microsoft were like “this studio is making us truck load of money let's close them”. Great user and critic reviews isn't going to save a studio at the end of the day if no one bought the game. And this is not the first game that underpowered from them. Ghostwyre Tokyo failed financially too and that was marketed by Sony and launched on Ps5/PC.
Over 3,000,000 players across sales and Game Pass. And even if sales were low that falls on the publisher for not advertising the game correctly. When all the critics and fans say the game is a 10/10 then the developers did their job flawlessly. Microsoft should've advertised it more if sales were down.
goes on and on
>Bro she was basically fondeling investor balls the entire time. Someone gave her the wrong script and she had bing summarize it for her.
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Another day, another MTG and Warhammer controversy. Today's episode actually begins with some YouTuber on a one man crusade to destroy Kotaku. Some jurnalist took issue with this and the YouTuber started making fun of her. In a reasonable escalation of the situation, the jurno tracks down the Tuber's wife and starts DMing her. They go back and forth slinging shit at each other and of course the j*urnaloid can't help but claim harassment. This is where the story proper begins:
Paul Scott Canavan, a MtG and Warhammer artist tweets the following:
This is absolutely the play - we should be doing this with all these weird creeps. Track down their significant others and mothers and string them up.
Surely, this was posted in good faith. Unfortunately, bigot chuds took issues with his tweet and Paul doubled down until bravely private his Twitter and Instagram.
The following threads have some good redditard discussion on it. /r/freemagic will likely go on a campaign to get him fired, and even /r/mtg seems to largely denounce his behavior.
https://old.reddit.com/r/freemagic/comments/1cnants/how_is_this_okay_with_wizards_mtg_artist/
https://old.reddit.com/r/mtg/comments/1cnl4yd/magic_the_gathering_and_warhammer_artist_paul/
Some choice comments:
Guess this guy has never heard of a slippery slope.
What a loser.
He meant proverbially. Like held accountable.
His wording was flagrant. But I do t think he actually meant to hang people.
It's hyperbole I believe.
It's another episode of the words we say don't mean what they mean!
I am not one for cruxifying people for their opinions, but holy shit threatening peoples family because they don't agree with this jerk offs opinion and ideology is a new fricking low.
That's not what happened here, though. If you look at the context, what he was saying is that if someone is harassing women online their actions should be shown to the women in their life.
He's not saying kill the families of online trolls, the title of this post is really misleading.
"Track down their significant others and mothers and string them up.”
That is verbatim what his tweet said. How is the title misleading?
Several other redditards crawl out of the woodwork to explain how Paul is defending women, so his calls for killing are good, actually.
I believe unfortunately he has a history of sketchy behaviour. He is the one who posted sales of his artist proof cards and then ghosted people and scammed them out of some money.
Hmm, maybe this guy is based after all…
I think you are perpetuating a bad faith interpretation of a poorly worded tweet.
“Bad Faith! Bad Faith! Bad Faith!” say the line, redditor!
Anyways, place your bets on whether or not this brave woman defender will keep his role as a Magic and Warhammer artist. Personally, I hope he gets fired because he already seems like a schizo. Losing his job would likely make him even more deranged.
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In the future stag moids must choose between chink bitches and robots:
Ok but why don't we get rid of the peepee and make xer a brave trans hero instead:
A straight aryan Superman in current year? This is racist coded:
Mixed reactions:
Hope it fails to bring GoT nerds down after the House of the Dragon high:
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The Trudeau regime has introduced an Orwellian new law called the Online Harms Bill C-63, which will give police the power to retroactively search the Internet for ‘hate speech’ violations and arrest offenders, even if the offence occurred before the law existed.
— Camus (@newstart_2024) May 7, 2024
This new bill is… pic.twitter.com/4ROF332xR9
The Trudeau regime has introduced an Orwellian new law called the Online Harms Bill C-63, which will give police the power to retroactively search the Internet for ‘hate speech' violations and arrest offenders, even if the offence occurred before the law existed.
This new bill is aimed at safeguarding the masses from so-called “hate speech.”
https://Revolver.news reports: The real shocker in this bill is the alarming retroactive aspect. Essentially, whatever you've said in the past can now be weaponized against you by today's draconian standards. Historian Dr. Muriel Blaive has weighed in on this draconian law, labeling it outright “mad.” She points out how it literally spits in the face of all Western legal traditions, especially the one about only being punished if you infringed on a law that was valid at the time of committing a crime.
https://thepeoplesvoice.tv/canada-to-imprison-anyone-who-has-ever-posted-hate-speech-online/
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hi guys, i am looking for sites to add to my webring! gimme ur urls :p thanks @X for suggsting neocities!
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It apparently started when SNOY started mandating linking PSN accounts to steam/PC version of the game
/r/PCGaming: Helldivers 2 to require linking Steam account to a Playstation account starting on May 6th. It was previously optional due to technical issues at launch
/r/Games : HELLDIVERS 2 Account Linking Update
The revolution begins
Aftermath:
/r/steam : Helldivers 2 went from one of the most beloved Steam games to one of the most hated pretty quickly
PCGaming :
ENTIRE /r/Helldivers
Devs trying to put out the fire
https://old.reddit.com/r/pcgaming/comments/1ck0o8k/helldivers_2_community_manager_gives_update_on/
https://old.reddit.com/r/Helldivers/comments/1cjyll7/some_groomercord_updates/
Apparently some countries can't create PSN accounts like Sri Lanka
and they can't play the game they bought now because they can't create a PSN account ![:marseyderp: :marseyderp:](https://i.rdrama.net/e/marseyderp.webp)
Just lastweek they were
dunking on Tarkov, the irony
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- BWC : Built for the Blackest Sub-Saharan African BIPOC BBC
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https://www.chub.ai/characters/TouchFluffyTails/marsey-the-catgirl-2f47a299a538
To interact with Marsey you will need to follow the sillytavern setup instructions, you can either use a local model or hook her up to GPT api or something. I don't want to share my IP address but maybe some dramanaut might be able to open a session up for people using this.
https://old.reddit.com/r/SillyTavernAI/
Example chats.
edit: I am heavily in negative coins now, money pls
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EXCLUSIVE: Katherine Maher says that she abandoned a "free and open" internet as the mission of Wikipedia, because those principles recapitulated a "white male Westernized construct" and "did not end up living into the intentionality of what openness can be." pic.twitter.com/Ved9mgGvJH
— Christopher F. Rufo ⚔️ (@realchrisrufo) April 18, 2024
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@ULTRAGIGASNEED posted the Twitter version earlier, but didn't fricking explain who these people are
https://rdrama.net/h/slackernews/post/261225/john-carmack-reveals-himself-to-be
I guess arguing on Twitter wasn't enough. /u/PalmerLuckey wanted to continue on reddit.
Will he come to rDrama next?
Stolen from sardines
I'm torn. Billionaire bothering to argue with the plebs on reddit? He also has an 11 year old reddit account where he posts things like this
Let people enjoy things
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For the rest of RT's history see my previous effortposts.
The End of RoosterTeeth ![:marseygameritsover: :marseygameritsover:](https://i.rdrama.net/e/marseygameritsover.webp)
We covered the majority of the reasons why RoosterTeeth eventually went under in the previous post. In this Part 3 I'll wrap up a few points I didn't have room to elaborate on previously before detailing the actual collapse and aftermath. After all there isn't any single climactic scandal or crisis that did them in on its own.
Though the following point did contribute heavily to RWBY's decline.
Animation is Expensive ![:marseyitsjoever: :marseyitsjoever:](https://i.rdrama.net/e/marseyitsjoever.webp)
— Achievement Hunter
RoosterTeeth didn't have an actual animation department back when they hired Monty Oum for RvB. Monty and some of his "apprentices" handled all of the cgi for RvB seasons 8-10, and the first Volume of RWBY couldn't have had more than fifteen people total behind its animation. The success of RWBY is what created the proper Animation Studio, and going forward it would handle the rest of RWBY and RvB along with a few new IPs RoosterTeeth tried to get off the ground. RT's other animated productions include Camp Camp, Nomad of Nowhere, X-Ray and Vav, S*x Swing, and RoosterTeeth Animated Adventures.
The main show of note however is Gen:LOCK. Out of all the post-RWBY properties, Gen:LOCK was RT's biggest hope of recapturing that lightning in a bottle and was easily the most expensive production. Indeed it's been claimed that Gen:LOCK appropriated funds from other animated productions since its creator also just so happened to be head of the animation department
As I mentioned in the first thread, Xoomers were some of the first weebs and American anime is their fault Gen:LOCK creator Gray Haddock had originally only done minor voice work when he started with RT. But that made him a professional compared to everyone else involved with developing RWBY, a very indie show in which RT was turning to their animators, HR employees, and podcasters just to fill out the voice acting roles. Gray voiced
and was popular enough to have the character stick around for three seasons when he was only meant to be in the first episode. When RoosterTeeth formed their proper animation studio in 2014, Gray was made Head of Animation. He was also a writer and assistant director for RWBY.
Gray grew up watching mecha and cyberpunk
anime and much like Monty Oum he must have decided at a young age that he'd make his own cool thing if ever he got the chance. As CRWBY (production crew of RWBY) began work on Volume 5 and RT decided on what the best big show would be, Gray pitched his idea for RoosterTeeth's very own robot franchise and used his position over the animation department to give his pitch a few advantages over any others. For one thing he could have the artists draw up concept art on demand
Gray really wanted Gen:LOCK to be a full blown production comparable less to web shows and more towards network television. Not only would the production costs greatly exceed any previous RT animated endeavor. The show also shilled out for actual talent from SAG-AFTRA. Apparently it really started to come together after a concept artist used Michael B. Jordan as a reference for the main character and Gray sent an email to Jordan's agent.
I should note that at the time Jordan was most well known for the 2015 Fantastic Four movie so this might explain why RT's random robot pitch was taken seriously. But even though he eventually went and did Black Panther
he still agreed to work on the project, apparently because he's a huge weeb and liked the idea personally. His company Outlier Society Productions even co-produced the show. Other names attached include Maisie Williams (Game of Thrones) Dakota Fanning (Independent movies apparently) Koichi Yamadera (Cowboy Bebop) and David Tennant (Doctor Who)
No, really
Work on Gen:LOCK started in ‘17 at which point Gray left CRWBY to work on Volume 5 without finishing his workload or finding a replacement He also siphoned both funds and animators from other projects while still demanding every show hit their deadlines. It was at this point that RT started bringing on unpaid interns to finish their animation — more details on this in the "Controversies" section of my second RT effort post.
RWBY Volume 6 and Gen:LOCK were produced together through mandatory crunch time and free labor from interns promised a job at RT after 90 days only to be shown the door as soon their contracts expired Gen:LOCK's development went well into the red and was pushed back to 2019. It's been estimated that both GL and Volume 6 had about a third of their seasons made entirely for free thanks to not paying overtime. People were working up to 80 hours a week, with management offering empty platitudes about the crunch and how they'd resolve it. The planned number of episodes was cut from 12 to 8. RT had a whole pipeline set up with Full Sail Animation to provide them with yet more interns for the meat grinder.
Finally Gen:LOCK premieres in January as a FIRST exclusive. The show did moderately well in viewership and reviews. A dedicated fandom formed — probably the third largest RT fandom behind RvB and RWBY if that means anything — and the show actually made it to syndication on Cartoon Network's Toonami.
But as such an expensive and time consuming production with Hollywood actors attached, Gen:LOCK broke RoosterTeeth's bank and fell into the trap of needing to be a massive, breakout hit in order to make any kind of profit. Since RWBY made a lot of money as an indie success story, RoosterTeeth had hoped something with more budget would make proportionally more profit.
Gen:LOCK was their animation department's biggest misstep and a significant reason why the decline became terminal. Gen:LOCK was simply too expensive and didn't prove to be worth the investment. None of the other shows were runaway successes either. In the grand scheme RT's animation department only served to drain the company's treasury.
In the wake of the show's release RoosterTeeth's ‘19 Glassdoor scandal broke and soured their reputation along with the myth of their being a great company for animators to get their foot in the door. The RT founders had apparently given Gray Haddock a lot of leeway in animation and were unpleasantly surprised to learn how the department had been handled. He resigned soon after and RT never attempted anything this ambitious again.
Gen:LOCK itself wasn't (quite) dead and in October it was announced that Season 2 would initially premiere with HBO Max before becoming available to FIRST members.
But RoosterTeeth simply did not have the capability to make such a show anymore and so HBO was given reins to write and produce while outsourcing the actual animation to the people who did Planet Sheen and Fanboy & Chum Chum. The Ship of Theseus that was season 2 released in November 2021 and, well, I've never heard of anyone who liked it. Modern RWBY may not be great but it at least has an extremely dense fanbase conditioned over years to watch the show uncritically. Gen:LOCK died in its infancy and the few remaining fans mostly just ignore season 2 these days.
Speaking of RWBY, this show too became more and more expensive with every season and had probably stopped being profitable by the time RT imploded. Volume 9 supposedly cost over 6.6 million to produce and had to be funded with help from Crunchyroll in exchange for an exclusivity deal.
Looking back it's a quiet miracle the show even lasted nine seasons. There was almost never a time something wasn't wrong with RoosterTeeth's animation department. In brief,
V1: No budget lol. The only reason RWBY is a 3D show/got made at all is because Monty was already used to the animation software and wasn't asking RoosterTeeth to go find a studio.
V2: No major problems, but…
V3: Monty dies
V4: Switched to another graphics program entirely. Shane's infamous letter also comes out around this time (detailed in the previous post) He and other Monty loyalists are dismissed from the company.
V5: This is when Gray Haddock began taking resources for Gen:LOCK. The volume also had more episodes than usual.
V6: Gen:LOCK problems continued. The Glassdoor scandal happened for RT. Actor Vic Mignogna was also fired from his role on sexual harassment allegations.
V7: No problems, however…
V8: Covid and the Texas power crisis from Greg Abbot's paraplegic witch magic snow storm
Also a longer season than normal
V9: Continued production issues from Covid. Made at the same time as the Justice League crossover movies. More RT workplace misconduct. Led to a 2 year hiatus.
V10: Isn't even greenlit. I'm bringing it up because CRWBY claimed in early March that preproduction was done and they were waiting for the go-ahead
In retrospect cartoons pushed RoosterTeeth to its limit.
Collapsing Influence and Fading Influencers ![:marseyzoomerimplosion: :marseyzoomerimplosion:](https://i.rdrama.net/e/marseyzoomerimplosion.webp)
REMINDER THESE BIPOCS ARE WORSE AT BUSINESS THAN COLLEGEHUMOR OVER THE PAST FEW YEARS
In this section we'll discuss the evolution of the podcast half of RoosterTeeth. Many of these changes represented attempts to reverse course on the company's decline or, in the case of some influencers, to get away from the sinking ship.
First I'll bring up the Let's Play family. To clarify, "let's plays" are videos where people would play a video game and, uh... that's it. IIRC they go back to the noughties and predate any real streaming personalities. Let's Play as a proper noun was created by Achievement Hunter as a channel specifically for their relevant let's plays, originally featuring videos from just the main six AH personalities with the videos uploaded to YouTube. As RT grew Let's Play also featured people from Funhaus and other Fullscreen aquired groups like ScrewAttack. Gradually this evolved into a larger network.
On May 31, 2017, it was announced that YouTubers JT Machinima, NoahJ456, LazarBeam, and Steven Suptic (now known as Sugar Pine 7) had joined Let's Play, with JT Machinima being the first of which to have merchandise sold through the RT Store. Others to eventually join include Criken2, James Buckley, BedBananas, Tomato Gaming, ChilledChaos, Retro Replay, Castle Super Beast, GaLm, and Tom Fawkes.
Yeah I haven't heard of most of these people either There was also Etika though and I remember him entirely through the rDrama gayop
As mentioned previously, the evolution of YouTube and changes made to its policies regarding advertising revenue hurt RoosterTeeth over time. Aside from trying to make up for it by expanding on FIRST and their own website, they noticed the Let's Play "family" had always been a consistent source of income and was relatively less affected by YouTube's evolution. They represented numerous personalities and different kinds of content that still appealed to the ever changing algorithm while having a low overhead that RT wasn't entirely responsible for. RT hoped the Let's Play group would keep them relevant no matter how YouTube continued to evolve.
Unfortunately they never succeeded in cultivating the goal of having this many more Achievement Hunters. The partners that were already hemorrhaging continued to do poorly and others simply declined to renew their contracts as soon as they were up. The successful members must have decided there wasn't much to gain from working with RT. Individual influencers certainly didn't appreciate RT's restrictions on their individual streaming. Ultimately the Let's Play family was pointless.
They removed all the edge that made funhouse great. The new cast would call hr if you tried to make them watch vr gay porn.
--
@OutKongged and
@w1n5t0n
This is as good a time as any to bring up how RT podcasts and meta gaming content simply lost SOVL over time. The let's play formula Achievement Hunter pioneered requires entertaining people with chemistry. Parasocialmaxxers want to feel like they're watching friends play a game together. RT started sticking random "influencers" in front of the screen in the hopes of hitting it big on the algorithm, never mind that these were random people who didn't know each other and were always talking over each other. Losing more and more of their originals to scandals and retirement and replacing them with culture warrior/"zoomers like this kind of thing right?" types didn't help either.
The comedy that the original g*mer dudebro demographic liked disappeared and RT never grabbed the limited attention spans of youngins to replace them.
I don't think there were any other major RT events and scandals left to cover so we're gonna start skipping ahead. The following developments are recent enough to overlap with the history of rDrama.net and represent some of the final happenings in the history of the company.
In September '23 it was announced that RT's longrunning Achievement Hunter would no longer produce content. The stated reason for this was the entire AH cast moving onto different creative projects throughout Rooster Teeth -- BlackKrystel and Jack getting more involved at Inside Gaming, Ky working behind the scenes, Lindsay doing voice work and Twitch streams for RWBY V-Tubing, and Geoff and Gavin doing the thing mentioned in a following section. Meanwhile Trevor, Michael, Alfredo, and Joe created an entirely new channel called Dogbark, which premiered its first video in October.
Michael and others apparently felt stifled by the AH name but even the RT community wasn't super enthusiastic and the subreddit left comments like the following,
I wish ya'll the best, and I'll give it a fair shot, but this video doesn't instill confidence guys.
Im gonna be honest this trailer just gave me "We're trying to be Smosh" vibes
"The community has consistently told us they dont like scripted shorts or improv bits and want us to just go back to being 4 to 6 friends playing games together and shooting the shit. So we have decided to move to a new channel that is exclusively scripted shorts and improv bits"
Incredible.
great to see them leaning into their weaknesses
Views were never great.
DAE vaginas amirite, ladies?
--
@JimieWhales
In December Rt shut down All Good No Worries which was meant to be a network focusing on female fans (And yes s were involved namely Charlotte from Funhaus) This was also the third and final time the Always Open podcast had been put on pause.
In the wake of Achievement Hunter's dissolution Geoff and Gavin started the FrickFace Podcast with Andrew Panton as well as becoming the new hosts of Let's Play. Some have said this was more akin to old AH because it was back to being a group of RT originals playing the games. This was one of the more active groups in RT's final hours.
The fact that this was announced 30 minutes before the end of rooster teeth
One of the funnier moments of RT's closing Ratyboy Adventures is a game that Andrew Panton subjected FrickFace to in a Let's Play video. For whatever reason he then decided to buy the rights to the character and so on March 6th, 2024 it was announced that RatyBoy would become the official mascot of Let's Play.
This, erm, news came out just thirty minutes before it was announced RoosterTeeth as a whole would be shutting down
Anyway, this is just some noteworthy tidbits from RT's very late history. Remember the true and boring background cause of their collapse was declining ratings and stagnation over time.
The Fall ![:marseymasterchiefgenocide:](https://i.rdrama.net/e/marseymasterchief.webp)
And now we reach the end.
Since it's not a podcast I'll mention in this section that the last RTX convention was held in ‘23. The majority of the event staff was laid off later that year and in December General Manager Jordan Levin announced the cancellation of RTX 2024. He notably cited that the conventions had never been profitable. This was a major red flag to even the staunchest RoosterTeeth fan since the conventions had always been an important way of promoting projects and making deals with other companies.
Remember Red vs. Blue, the show that started all of this? RT continued making it over the 10's, even after RWBY became the primary IP and even after Bungie's Halo transitioned over to 343 After 18
seasons it was finally announced in July ‘23 that the longrunning web show, the longest in American history besides maybe Homestar Runner
would end with the following season. I'm not sure if this was the result of RT's imminent closure or not but the RvB finale ended up being a movie instead of a full season, Red vs. Blue: Restoration. This is set to premiere in May of this year making it one of the last RT productions.
Most people considered RT's announcement to be a long overdue mercy kill to the Halo series people once watched on their CRT monitors But it's fitting in the end that Red vs. Blue lasted as long as RoosterTeeth itself.
For me personally, Rooster Teeth shutting down feels like the equivalent to an ex-spouse getting killed in an accident.
The decision to shut down RoosterTeeth came from Warner Bros Discovery. As far as I know there isn't a specific reason why it was closed down last month other than a simple case of bean counters taking a hard look at the data. Warner Bros itself has been having money issues lately and under the reign of Daddy Zaslav they've been slashing expenses left and right. 2023 saw RoosterTeeth announce that RTX was unprofitable, the end of Achievement Hunter, the end of Red vs. Blue, and the admission RWBY's last two seasons had gone over budget and that the show itself wouldn't have continued without Crunchyroll's support. It's not hard to see why WB didn't let it go on another year.
Everything RT that still exists; Funhaus, Frickface, The RoosterTeeth Podcast (Formerly The Drunk Tank), CRWBY, and whatever else is currently being looked over by WB execs (picture that for a moment ) IPs like RWBY and Gen:LOCK are allegedly being shopped around for potential buyers alongside the podcast and gaming networks.
Worth noting that on April 8th it was announced the Roost Podcast Network (not the same as the regular RoosterTeeth Podcast ) had been sold by WB to Night, a digital talent management company. I think this represents the first sale of a former RT property.
I'll also clarify that March 6th was only the shut down announcement date and that RT is going to continue operating until early May. This might be because Texas law requires employers to give at least 60 day notices before layoffs actually start. Funhaus and Frickface at least will continue until then and the RvB movie is supposedly still coming out.
Late Stage RWBY ![:marseyjwby: :marseyjwby:](https://i.rdrama.net/e/marseyjwby.webp)
You may be wondering how RWBY was doing throughout all this? As evidenced by the thread quotes RWBY fans had gotten a little unhinged by the time the show's last volume rolled around. The fandom divide was thoroughly entrenched and people started acting like very soy echoes of dramanauts. RWBY became less a show and more a vector for online antics where the terminally online would fling at each other and celebrate if anything happened to the other side
Honestly the evolution of the FNDM's "culture" could be its own effortpost but it's also kind of hard to translate for normie comprehension
Regarding the civil war, those hardcore fans rabidly loyal to CRWBY — largely represented by showrunners Miles Luna and Kerry Shawcross — are known for having parasocial relationships with crew members not so unlike people who followed specific AH or Funhaus personalities. The writers preferred to interact with them over any unfair and mean spirited critics and certain developments like Blake and Yang being together
are accused of being bones of appeasement thrown their way for ratings. The most hardcore CRWBY stans outright hate Monty and basically anyone who left the show's development for any reason because they're not seen as part of current RWBY.
The other half are the heckin chud critics — though really it's about one part one part
and two parts
but for fantasy waifu slop. These guys haven't liked RWBY in a long time and have been waiting patiently for it to end either out of desire for a reboot or because of pure schadenfreude.
This divide is very serious business in places like Reddit i.e. posting regularly in /r/RWBYcritics grants an automatic ban from /r/RWBY
For those of you mayo scrotes who watch video essays one of more infamous RWBY fandom developments came from a critical video by hbomberguy. Idk who he really is honestly
but his three hour video in which he simply points out how disappointing RWBY is/has become set the FNDM on fire and was otherwise good for dramacoin
I don't consider this sort of thing to be news but I'm bringing it up because to this day you can really make RWBY weirdos
just by reminding them it exists. Any criticism of CRWBY's precious little baby is not allowed
Moistcritikal also apparently made a negative comment about RWBY once though I don't think it was a whole video. He's also on the list
As mentioned earlier CRWBY went through a difficult production period post Covid, but though it took almost two extra years and outside funding to make it happen, they finally did finish Volume 9 as of last year alongside the two Justice League movies that Kang really loved and recommends you watch. As Volume 9 finally ended its Crunchyroll exclusivity and premiered on RT just these past few months, CRWBY also announced they'd wrapped up preproduction on Volume 10 (though they do tend to exaggerate how much they've done at any time) and were just waiting for the green light on funding. When this didn't immediately happen, the poor bastards even started appealing directly to the fans at places like RTX for support
But with the extra content that's come out since Volume 9, there's also evidence CRWBY could see the writing on the walls and that they were preparing Volume 10 as a possible last season though they'd previously claimed to have a 12 Volume roadmap for the entire story.
They were just one Volume short in the end
The Fate of RWBY ![:cardinwinchester: :cardinwinchester:](https://i.rdrama.net/e/cardinwinchester.webp)
This is the first comment on the first thread I clicked on in rwbycritics:
"It's strange, while my countrymen cheer the beast's fall, I feel a strange melancholy, after all these years, what once was filled with majesty and pride, goes out not with a blaze of glory, but a whimper in the dark."
So that's how they're taking it
Obviously RoosterTeeth's shutdown kills RWBY too since this former passion project now costs seven figures a season to produce. The true fate of the IP is entirely in the air though. The legal rights now belong to Warner Bros or one of the other companies under them in the family tree and it remains to be seen what will happen. Meanwhile a spattering of newish RWBY developments have happened since March 6th.
Volume 9's release on RT FIRST still happened as planned. In a rare moment of RT generosity it was announced that all RWBY content would be free on the RoostrTeeth site until closure. (Though this does track with their treatment of FIRST members ) As it wrapped up CRWBY actually released a slightly extended version of the season's epilogue, albeit it took the form of an unfinished animatic.
This leads into RWBY: Beyond, a four episode "storybook anthology" that will represent the last official CRWBY content and otherwise wrap up RoosterTeeth's tenure with the show. It actually premieres today
Unfortunately all the post RWBY shutdown content looks like this since the budget's gone.
But at least there's something since otherwise the below image would be true.
Alas the Justice League movies still represent the last properly animated RWBY content ever made by RoosterTeeth.
So what will happen to RWBY now? It entirely depends on whether WB finds a buyer or not and whether or not they can agree on a price. Unless some exec decides there's a lot of potential in the RWBY x DC stuff I doubt they'll want to make use of the IP especially since they'd have to find new producers.
Remember Dillon Gu and Shane Newville from earlier? After being banished from RoosterTeeth for violating the CRWBY Covenant they went on to have their own animation studio and make videos like the one above. A lot of the studio's work is obviously RWBY inspired.
Dillon Gu has expressed interest in acquiring RWBY but I doubt they have the money Warner Bros will ask for. I'm still bringing it up because all the nerds are hoping for this so it could be a good source of seethe if it doesn't happen that way.
The most likely potential buyer is probably Crunchyroll. RWBY has actually been one of their most popular shows over the years and was fairly popular in Japan for a western series. In fact RWBY was the most watched anime in Japan on Crunchyroll for the 2010's.
For the moment RWBY will remain on Crunchyroll even after the RT website disappears and if nothing else WB will talk to Crunchyroll about renewing that deal or not. It's quite possible Crunchyroll will look into buying the IP though it's not confirmed yet.
If no one buys RWBY then it will remain in the hands of Daddy Zaslav WB is the same company that made a Batgirl and Wile E. Coyote movie and chose not to release them. With the latter WB didn't even negotiate with attempted distributors. They just opened with an unreasonably high offer and refused to respond to counter offers.
So yeah who knows what'll happen to RWBY. I just wanted a fighting game out of it
CLOSING THOUGHTS ![](https://i.rdrama.net/i/hand.webp)
![:@rwbypat:](/pp/3370)
I've written three effortposts now so I don't have a lot to say here. Really I'm just waiting to see what happens to RWBY.
It is sad yet interesting to me that RoosterTeeth was in decline for as long as they'd been successful if not longer. No one was surprised to hear they'd be shut down. Most people only reminisced about when they'd been better.
https://old.reddit.com/r/RedvsBlue/comments/3bgfa3/the_blood_gulch_chronicles_versus_the_later/
If you want more info this hobbydrama post, while a little soy, is pretty informative especially regarding the podcasts and how YouTube's policy changes harmed RT over time.
And for you ypipo out there here's a YouTube video essay
This account is private
This user has enabled private mode to cloak their posting history.
ProterozoicBussy wanted me to quote him so I went to his profile on an alt and saw this and anyway I fulfilled my end of the bargain.
Also if any of you dramanauts have RWBY: Grimm Eclipse on Xbox then HMU I still need the four person achievements before the servers maybe go offline.
- 280
- 149
So the show has released, and as expected by anyone with a brain, it sucks. However it seems to have sucked more than anyone could have predicted. This might legitimately darn Bethesda lmao.
First, here is a comment from this thread explaining how they absolutely butchered world building (this show is canon btw):
So, in summary, if I understand correctly, these are the major changes:
- Shady Sands got cratered in 2277
- NCR vertibird downed on the strip
- The Strip barricades are gone
- Vault Tec seemed to have caused the Great War
- The Boneyard is no longer a thing
- Shady Sands is in place of the Boneyard
- NCR Rangers are gone
- Aradesh is no longer the founder of Shady Sands (more speculatory)
- Somehow the Brotherhood seemed to have overran the NCR in 2277
What I can't believe is that they actually retconned the original two Fallout games and that nobody won New Vegas. Even more egregious is the lore change with the BoS-NCR war, which retcons THE ENTIRETY OF F:NV. This has to be a new timeline at this point.
TL:DR is they literally retconned the 3 games they didn't make, and then replaced the factions from those games with very special factions they made from the 2 games they developed themselves. This is like a bad fanfiction lol.
People predicably, are mad. Some seethe:
Jesus. I genuinely can't believe I was actually letting myself be excited for the future of this franchise before this release. Completely retconning the original games is genuinely fricking so sad man.
When is it said aradesh is no longer the founder of shady sands?
Also when do we see the ncr vertibird crashed on the strip?
It's never said by Moldaver, but it seems to be implied that she founded Shady Sands in addition to being the remaining NCR leader. This is speculation, and it probably shouldn't be listed as an actual change.
Vertibird: https://i.imgur.com/a/5ygLxmK
So even though it's been established that Shady Sands is in an entirely different state of the new california Republic from the boneyard, they just slapped it right into los angeles, and then they nuked it, why???
What even is a Shady Sands? Has anyone else wondered why they named the first game Fallout 3 by the way? Wacky Bethesda xD
That's not a nuke crater, that's a "Borg scooped up the settlement" crater. This is dumb.
I knee it.
I just knew it.
I prayed it wasnt the case but at any opportunity they had, Bethesda tried to retcon New Vegas and now their efforts... went nuclear.
Hate it. HATE IT. HATE IT.
New Vegas is the Canon version of events. Not some Amazon show.
I fricking knew Todd would frick it over to create their version of Fallout artificially. I fricking hate it. I was fine with a scenario where the NCR loses in Vegas, but to just extensively rewrite the lore of Fallout 1, 2, and New Vegas to jerk off the BoS even more? Fricking dead to me.
Says you, but Bethesda owns the franchise and this is the direction they took. They entirely retconned the fallout games they did not make, and they've succeeded. Next season they'll go and show New Vegas as a dead husk bereft of anything that made it special. Enjoy!
Also, they do not care anymore. They are owned by Microsoft now and exist to make xbox and live games.
Look, I am very good at that. My Canon Star Wars are the old Comic books with sea dragons and Jaxxon the green rabbit. I literally ignored anything that came after that.
So I will need to ignore Bethesda to keep the correct Canon? Boo f#₪#^ hoo. They didnt get even a passable game out in the last 12 years!
I walked the Divide for the NCR, I can ignore Bethesda for them as well.
Haven't watched the show yet as I sail the high seas but this ending sounds very, very annoying. Seems like the show starts off well though but if what I'm seeing here is the case I'll be pretty fricking ticked that they essentially made the West the same as the East in terms of development and that they made NV mean nothing.
NV was entirely retconned. The casinos are literally husks and the city is dead. NCR died when Shady Sands (located in the wrong place) was blown up by one guy.
Christ alive 🤦🏿♂️. They should've atleast had some obsidian writers and lorekeepers there to keep things consistent. This is just laziness. I'm not one of those people who thinks Bethesda despises obsidian but like cmon.
It's not laziness. It was a deliberate choice.
Resetting to a status quo of “muh wasteland” absolutely is laziness
Its funny because there is a meme that Bethesda is spite driven because obsidian made a better fallout game than bethesda and the metacritic score 83, 85 thing FNV being retconned is funny knowing the meme
I hate it all.
The NCR was written out as a society entirely. The writers I guess just learned about shady sands and went 'oh its the capital so if we blow it up then the NCR will collapse.'
The NCR was such a good faction, it was the only one that actually grew, that had a familiar functioning postwar society. And what did they do? They nuked them out of existence to show off the brotherhood and a dead, empty New Vegas.
Why, why would they do this.. they could have made it right after the nuking not decades after. They pissed all over the legacy of my favourite game.
I blame Lonesome Road and Chris Avellone.
I can't hold him responsible for this, he had enough sense to know how big the NCR was and how the game world worked. That's why Ulysses wanted to destroy the Long 15 and block them from reaching the Mojave.
To me, Fallout stood apart for being a post-post-apocalyptic story. Just nuking the NCR not only strips away one of the most interesting aspects of the setting but does it, to my eyes, entirely unnecessarily. If you wanted to tell a wasteland story, you could have:
- Set it between Fallout 1 and 2, or even before Fallout 1
- Set it in one of the vast regions of America that are untouched by the games thus far
But no. Fricking why?
I knew this would happen the moment I've heard the name Todd Howard.
It really feels like they asked BETHESDA for the lore, and they said 'oh well you got the Brotherhood of Steel who have this big airship and vertibirds and huge machine guns that can only be wielded in power armor.'
then went 'oh there's this group called the NCR, I think they're from shady sands or something, you can blow them up for shock value it'll be fine. There's also this big place called New Vegas you can turn into a dump too who cares lmao.'
"heh heh heh that'll teach 'em to like obsidian's game more than ours*
Honestly I am becoming one of those people more and more by the minute, especially if their plans for New Vegas next season are what they seem to be.
somehow palpatine returned
So what did house predict then if it was vault tec who dropped the bombs. So Mr house knew the nukes where coming and still couldn't shoot them down or get the plat chip
Also it says shady shands fell in 2277 but new vegas is set in 2281 ?
I guess NV is just entirely retconned in the show? NV is dead, empty. The only places that exist are a half dozen towns outside of the city itself. The casinos are gutted entirely aside from the Lucky 38 which I guess House lives in still? He would be waking up just as the NCR was probing into NV, Caesar's Legion would be on it's way as well. Big MT is still abducting people.. The Brotherhod wouldn't have lost at Helios One but also now have infinite energy so why would they even care?
The entirity of FNV was fought over a dam, water and power.. Now the BOS has infinite clean and renewable fusion.. the NCR doesn't exist either.
So they're using the facade of 1, 2 and NV as a backdrop for more BoS shenanigans from Bethesda's mainline games.
Maaaaan
This is what I was afraid of. A good show based in world building that I think is fundamentally uninteresting.
I'm probably just gonna separate it out as its own thing in my head, no matter how canon Todd says it is.
This is what everyone paying attention was afraid of, but they got shot down as alarmist for daring to suggest the brilliant creative minds behind Starfield might provide a shite backdrop for worldbuilding.
He was in a meeting to know exactly when it would happen and was wrong.. somehow.
Did he not read the memo?
Fallout new vegas mr house
: I was able to almost accurately predict a nuclear war and I have set the pieces for my rise to power after I come back online
Tv show Mr House
: Shieeeeeeeet I ain't reading all that I'm just gonna pretend I read this
To everyone saying the NCR is totally collapsed.
I highly doubt it. It seems after Shady Sands was nuked the NCR was a bit scrappy but pulling itself together to keep everything afloat, with the BOS destroying the HQ and the view of the NCR leader using the Cold Fusion to power the entire city at once, it shows the civilians of the NCR are still existing at least throughout the entire ruins in some way.
I imagine next season, we're gonna see the BoS biting way more than it can Chew, and something with New Vegas as well, and with the father constantly mentioning something about "Meeting your Creators." How much you wanna bet Mr House is technically still alive? Just New Vegas went into dormancy??
Im excited to see potentially the NCR Regrouping or like Scrappy NCR rebels, and Desert Rangers in the Mojave. I highly doubt the NCR is done and over with from what we saw.
Whatever your opinions on it, retconning NV out of the timeline (which is exactly what they've done) frickin sucks.
Yeah.. But at least it isn't like a straight full on they don't even exist kind of retcon. Seems more like a soft reboot
Hello fellow spoiler fiends who went straight to the end and saw the New Vegas tease. Also, from what I gathered skipping around, the MC's father was a Vault Tec guy who nuked Shady Sands because her mother went there and was having a great time (missed a bunch of dialogue skipping through so that might not be right). The Brotherhood has cold fusion now and the guy in charge seems like a peepee so presumably they will butt up against whoever is now in charge of House's technology.
Dude wtf happened to the NCR? Didn't they say they had most of California pretty much colonized? I'm only on episode 4 but complete radio silence while it takes place near the boneyard and dayglow??
Episode 8 covers it.
It's not pretty.
About 5 years after New Vegas, Lucy's Mom left vault 33 to see if life was back on the surface, taking Lucy and her brother with her, and made her way to Shady Sands, which teleported to LA at some point. Her dad, who was a Vault-Tec executive came after them, stole the kids back, and use Vault-Tec's secret supply of nuclear weapons (The ones they launched to start the great war) to destroy the NCR, as they were a competitor to Vault-Tec.
Also, the ending credits show a destroyed New Vegas, with empty streets full of shattered Secuiritrons and a destroyed NCR Vertibird.
I also wanted to mention this specific comment, because I found it funny:
They also technically retconned FO4 since Kellogg mentions the NCR election.
Note that I'm not cherry picking comments here, basically everyone hates this garbage. Of course the critics love it, but the actual Fallout fans think it's terrible.
As one of the comments already mentioned, they really shouldn't have set this in the West Coast. They should have set it somewhere new for numerous reasons:
New factions and threats to add a sense of tension and mystery as the viewer wouldn't know anything more than the main character
Avoid having to retcon or step on the toes of the games
Keep it in a region that is less advanced so you can have your apocalypse fantasy
Set the show up as a prequel for Fallout 5, building hype for it even if it's years away.
Expect this thread to be updated as more seethe is posted, this is developing drama. In a few hours we will probably see the hitpieces from journ*lists calling the haters bigots, so keep an eye out for that.
Edit: here are more threads with tons of seethe in them:
https://old.reddit.com/r/Fotv/comments/1bt7fzx/fallout_spoiler_master_thread/
https://old.reddit.com/r/Fotv/comments/1bt7fzx/fallout_spoiler_master_thread/
https://old.reddit.com/r/Fallout/comments/1c17tyn/spoilers_about_the_ncr/
https://old.reddit.com/r/Fallout/comments/1c17mrr/discussion_about_the_ncr_in_the_tv_show/
dear god this one is maximum cope: https://old.reddit.com/r/Fotv/comments/1c185mn/my_theories_for_season_2_and_possible/
https://old.reddit.com/r/Fotv/comments/1c15tey/so_does_the_show_take_place_in_an_alternate/